The Austin-based Rude Mechanicals company brings "Lipstick Traces," the slightly fanciful history of punk and its centuries-old roots, to the New York stage.
By CARAID O'BRIEN
There is life in theater outside the Big City. "Lipstick Traces" (yes, yes, the
book), a new show from the Rude Mechanicals out of Austin, Texas, rocks New York.
A dramatization of the cult classic by Greil Marcus, the script chronicles
the rise of punk music and its influences throughout the centuries, which
include the Christian reactionary John of Leydon in the 16th century, the
Dadaists of 1916 and the French Lettrist and Situationist movements of the
|Company: Rude Mechanicals.|
Written by: Kirk Lynn.
Directed by: Shawn Sides.
Based on the book by: Greil Marcus.
Cast: David Greenspan, Lana Lesley, Jason Liebrecht, Ean Sheehy, T. Ryder Smith, and James Urbaniak.
Related links: Official site
Directed by Shawn Sides of the Rude Mechs for New York's Obie-award-winning
Foundry Theatre, the 75-minute show moves with lightning speed throughout the
centuries. John of Leydon = Johnny Rotten aka Johnny Lydon get it? Kirk
Lynn's author-sanctioned (and praised) dramatization of the book is clever
You won't take your eyes off James Urbaniak, in a fetching bowl haircut, as
he leads the cast through the famous Dada performance at the Cafe Voltaire.
David Greenspan is superflash as the shiny-suited Malcolm McLaren, the self-proclaimed
motor behind the Sex Pistols. Jason Leibrecht as Johnny Rotten
(did you know he was half Irish?) will make the bellies of even mild punk
fans flutter (oh, his tattered clothes!). In fact, the entire cast goes
fabulously rockstar when acting out the naughty Sex Pistols interview on
Less interesting are the scenes regarding the French Lettrists and
Situationists who manufactured events and operated under the slogan "Don't
Work," although the history-lesson aspect of this section is informative.
The piece is framed, explained and annotated by Dr. Narrator, a generic,
earnest, American doctoral candidate played by Lana Lesley. This role is
not as defined or compelling as the historical portraits and lends an
annoying stridency to an otherwise fascinating and entertaining evening.
|MAY 24, 2001|
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