Daughter house five
Five desperate daughters struggle under their mother's domination as an all-Asian cast brings new energy to Frederico Garcia Lorca's "The House of Bernarda Alba."
By CARAID O'BRIEN
In one of the most perfect productions of the year, the Spanish classic "The
House of Bernarda Alba" by Frederico Garcia Lorca is presented with an all-Asian
cast of 23 actresses by the National Asian American Theatre Co.
Simply staged, director Chay Yew's new adaptation infuses an energetic roughness
into this traditional piece. The recently widowed Bernarda Alba, in a fierce
portrayal by Obie Award winner Ching Valdes-Aran demands strict
obedience from her five love-starved daughters. She insists they wear black
and mourn for eight years. The oldest and homeliest daughter, Angustias,
played with comic ingenuity by Natsuko Ohama, is the only one to inherit any
money and thus becomes engaged to young Pepe (never seen on stage) the most
eligible bachelor in town and the object of desire for at least three of the
Pepe begins a secret affair with the youngest daughter, the
scarlet Adela, passionately and willfully represented by Eunice Wong.
Martirio, another sister, in a pinched portrayal superbly realized by Julyana
Soelistyo, is also in love with Pepe, and rats out her sister in a jealous
rage with dire consequences.
|THE HOUSE OF BERNARDA ALBA|
|Written by: Frederico Garcia Lorca.|
Directed by: Chay Yew.
Cast: Ching Valdes-Aran, Natsuko Ohama, Michi Barall, Eunice Wong,
Kati Kuroda, Gusti Bogard, Jo Yang, Sophia Morae, Julienne Kim, Julyana Soelistyo.
Ching Valdes-Aran drives the play with a harsh elegance as the stick-wielding
matriarch. Her servants Michi Barall's sultry and impish Blanca, and La
Poncia, the perfect country maid churn the action with their spying,
tattle-taleing, and self-interested advice. Kaati Kuroda as La Poncia captivates
the daughters and audience alike with hilarious descriptions of how she
controlled her long-deceased husband (she beat him). Jo Yang as Prudencia,
Bernarda's neighbor is excellent as is Sophie Morae as Bernarda's cross-tempered
daughter and likely successor. Julienne Hanzelka Kim as Amelia, the
bookish daughter and budding feminist, is magnificent, her distinct high-pitched
voice utterly compelling. Gusti Bogard sings beautifully as Maria
Josefa, Bernarda's mother and Kristin Jackson's dance sequences are like
stories within themselves.
Chay Yew's direction is fluid and clever. His chorus of 12 actresses, lining
the stage in chairs, play a myriad of characters from the town, add sound
effects and act as set pieces. Sarah Lambert's minimalist stage with its
sprinkling of red rose petals is beautiful. Performed without intermission,
this 90-minute tragedy is a transcendent experience in two cultures that is
not to be missed.
|DECEMBER 13, 2000|
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