offoffoff film



Site links
  • Contact us

    Get our newsletter:
    Search the site:

    Film section
  • Film main page
  • Film archive
  • Audio index
  • Film links

    Top 10 lists

  • Top 10 films of 2004
    (Andrea, David, Joshua, Leslie)
  • Top 10 films of 2003
    (Andrea, David, Joshua, Leslie)
  • Top 10 films of 2002
  • Top 10 films of 2001
  • Top 10 films of 2000
  • Top 10 films of 1999
  •  All of our top 10 lists, 1999 - 2004

    Current movies

  • Afterschool
  • Antichrist
  • Babies
  • Broken Embraces
  • Dare
  • District 9
  • The End of Poverty?
  • Fix
  • Food Beware
  • The Men Who Stare at Goats
  • Pirate Radio
  • Precious
  • Red Cliff
  • The September Issue


  • Brooklyn International Film Festival
  • Human Rights Watch Film Festival
  • New York Film Festival


    Complete archive

    Recent reviews:
  • (500) Days of Summer
  • Anita O'Day: The Life of a Jazz Singer
  • The Art of the Steal
  • The Beetle
  • Blessed is the Match: The Life and Death of Hannah Senesh
  • Boy A
  • Brideshead Revisited
  • The Brothers Bloom
  • Burn After Reading
  • Cold Souls
  • The Duchess
  • Elegy
  • Enlighten Up! A Skeptic's Journey Into the World of Yoga
  • Five Minutes of Heaven
  • Flame and Citron
  • Frozen River
  • Happy-Go-Lucky
  • How to Lose Friends & Alienate People
  • The Human Condition
  • Hunger
  • Inglourious Basterds
  • King of Shadows
  • The Lemon Tree
  • Lorna's Silence
  • A Man Named Pearl
  • Man on Wire
  • Memorial Day
  • Mister Foe
  • Morning Light
  • My F├╝hrer
  • My One and Only
  • Paris
  • The Pervert's Guide to Cinema
  • Peter and Vandy
  • Police, Adjective
  • Pray the Devil Back to Hell
  • Profit Motive and the Whispering Wind
  • Rachel Getting Married
  • A Secret
  • Sleep Dealer
  • St. Trinian's
  • Thirst
  • Throw Down Your Heart
  • Valentino: The Last Emperor
  • What's the Matter with Kansas?
  • Wild Grass
  • Jay DiPietro


    Funny Games

    Are we having "Funny" yet?

    Michael Haneke's scene-by-scene remake of his 1997 intense-a-thon proves you can terrorize yuppies in their holiday home again.


    Michael Haneke's Americanized "Funny Games" is a cool, calculated exercise in serious discomfort. Unfortunately that's all it is; there's no point to it; it's just unpleasantness for unpleasantness' sake. Nobody learns anything. Nobody grows. Nobody comes away from the experience wiser or braver or happier, just deader.

    Written and directed by: Michael Haneke.
    Produced by: Christian Baute, Chris Coen, Hamish McAlpine, Andro Steinborn.
    Cast: Naomi Watts, Tim Roth, Michael Pitt, Brady Corbet, Devon Gearhart.
    Cinematography: Darius Khondji.
    Production design by: David C. Robinson.
    Art direction by: David C. Robinson.
    Costumes by: David C. Robinson.

    Related links: Official site | All of David N. Butterworth's reviews at Rotten Tomatoes
    The film, a scene-by-scene remake of the Austrian writer/director's 1997 foreign language film of the same name, is competently made and keenly acted, especially by Naomi Watts (who serves as one of the film's executive producers). Tim Roth seems an odd choice for the role of her husband, however, as he spends much of the film nursing a broken kneecap with few opportunities to shine. But Watts' Anna more than makes up for the limitations that beset Roth's George, doing an admirable job in the face of abject humiliation and egregious suffering.

    Funny Games  
    Anna, George, and their 10-year-old son Georgie (Devon Gearhart) are driving to their weekend retreat. They're towing a sailboat behind them so that, presumably, we can be reminded of Polanski's "Knife in the Water" (a psycho terrorizes a married couple aboard their yacht; it also inspired the Australian oceangoing thriller "Dead Calm").

    The couple plans to play golf and take it easy; neighbors of theirs claim to be "grilling every night." What could be more relaxing? Oh, and they've also brought along their golden retriever Lucky. Only Lucky isn't. (If you, like me, guess that the dog's the first one to buy it then you've seen way too many of these films for your own good.) A friend of Anna's golfing buddy first unhinges Lucky. Perhaps it's Paul's tennis whites, or his white gloves, that unnerve the pooch. Regardless, Lucky's barks are quickly silenced.

    But before that, Peter, a similarly attired friend of Paul's, pays Anna a call to borrow some eggs — four of them. But he drops them. Then he clumsily knocks Anna's cell phone into the sink. And then Lucky jumps on him (off camera) and he needs more eggs. It's a bizarre series of occurrences and exchanges, mostly shot as long takes with a fixed camera. This technique of Haneke's certainly serves to heighten the sense of claustrophobia and helplessness later in the film. When Anna finally asks the young men to leave they won't. Enter George, center stage. He can't seem to get them to leave either. They keep insisting, in an impossibly polite way that will soon become their trademark, that they don't understand why Anna has turned on them like this, what they might have done to upset her. George winds up in an altercation with Paul, provoking damage to the afore-mentioned kneecap. And from there things go from bad to worse to truly terrifying.

      Haneke's oft-used technique, long takes with a stationary camera, serves to heighten the film's sense of claustrophobia and helplessness as the torment increases.
    The only thing louder than the metal thrash on the soundtrack is the sound of the audience shifting uncomfortably in their seats (several actually left). As the obsequiously well-mannered psychopaths, Paul (Michael Pitt) and Peter (Brady Corbet) make Hannibal Lecter look like a desirable dinner guest.

    Funny Games is neither funny ha ha nor funny peculiar. It's funny... NOT!

    MAY 27, 2008

    Reader comments on Funny Games:

  • Funny games   from Karin, Jul 5, 2008

  • Post a comment on "Funny Games"