offoffoff film



Site links
  • Contact us

    Get our newsletter:
    Search the site:

    Film section
  • Film main page
  • Film archive
  • Audio index
  • Film links

    Top 10 lists

  • Top 10 films of 2004
    (Andrea, David, Joshua, Leslie)
  • Top 10 films of 2003
    (Andrea, David, Joshua, Leslie)
  • Top 10 films of 2002
  • Top 10 films of 2001
  • Top 10 films of 2000
  • Top 10 films of 1999
  •  All of our top 10 lists, 1999 - 2004

    Current movies

  • Afterschool
  • Antichrist
  • Babies
  • Broken Embraces
  • Dare
  • District 9
  • The End of Poverty?
  • Fix
  • Food Beware
  • The Men Who Stare at Goats
  • Pirate Radio
  • Precious
  • Red Cliff
  • The September Issue


  • Brooklyn International Film Festival
  • Human Rights Watch Film Festival
  • New York Film Festival


    Complete archive

    Recent reviews:
  • (500) Days of Summer
  • Anita O'Day: The Life of a Jazz Singer
  • The Art of the Steal
  • The Beetle
  • Blessed is the Match: The Life and Death of Hannah Senesh
  • Boy A
  • Brideshead Revisited
  • The Brothers Bloom
  • Burn After Reading
  • Cold Souls
  • The Duchess
  • Elegy
  • Enlighten Up! A Skeptic's Journey Into the World of Yoga
  • Five Minutes of Heaven
  • Flame and Citron
  • Frozen River
  • Happy-Go-Lucky
  • How to Lose Friends & Alienate People
  • The Human Condition
  • Hunger
  • Inglourious Basterds
  • King of Shadows
  • The Lemon Tree
  • Lorna's Silence
  • A Man Named Pearl
  • Man on Wire
  • Memorial Day
  • Mister Foe
  • Morning Light
  • My F├╝hrer
  • My One and Only
  • Paris
  • The Pervert's Guide to Cinema
  • Peter and Vandy
  • Police, Adjective
  • Pray the Devil Back to Hell
  • Profit Motive and the Whispering Wind
  • Rachel Getting Married
  • A Secret
  • Sleep Dealer
  • St. Trinian's
  • Thirst
  • Throw Down Your Heart
  • Valentino: The Last Emperor
  • What's the Matter with Kansas?
  • Wild Grass
  • Jay DiPietro

  •  REVIEW: BUS 174

    Bus 174

    Hostage due

    You can't take your eyes off the stunning Brazilian documentary "Bus 174" about how social forces, a robbery gone wrong and police mishandling led to tragedy and scandal in Rio de Janeiro.


    (Originally reviewed at the New Directors New Films festival in April 2003.)

    If the "Bus 174" hostage standoff had taken place in America, it would have been shown live via news chopper on nationwide television for a day and then replaced by some other televised catastrophe, forgotten except for its occasional rebroadcast as a ninety-second curiosity on shows with titles like "World's Scariest Hostage Crises." We would have learned nothing.

    BUS 174
    Full title: ´nibus 174.
    Directed by: Jose Padilha, Felipe Lacerda.
    Written by: Jose Padilha.
    Featuring: Sandro do Nascimento, Yvonne Bezerra de Mello, Rodrigo Pimentel, Luiz Eduardo Soares.
    Cinematography: Marcelo "Guru" Duarte, Cezar Moraes.
    In Portuguese with English subtitles.
    Film Forum 209 West Houston St. (between 6th and 7th Ave.) (212) 727-8100

    New Directors / New Films 2003
  • Angela
  • Bus 174
  • Camp
  • The Embalmer
  • The Guys
  • Hukkle

  • The Missing Gun
  • Mondays in the Sun
  • Raising Victor Vargas
  • Wild Berries
  • Respiro

  • Festival site
  • Festival Internacional de Cine Contemporaneo
    (Mexico City)
    Bus 174
    Haute Tension
    In Your Hands
       Memories of Murder
    Notre Musique
    Or (My Treasure)
    Triple Agent
    Vera Drake

    • Official site
    Brazilian filmmaker Jose Padilho didn't want that to happen in his country, so he made a documentary that looks deeply into this one incident and all its antecedents in the culture of Rio de Janeiro. It may momentarily indulge our fascination with watching "reality" unfold onscreen, but at the end of two hours we've gotten more than just a little daily diversion — we've seen exactly how the culture of street kids, prison, rich and poor, and official bumbling collided to produce more than just the random tragedy of the day.

    Sandro Rosa do Nascimento apparently meant to quickly rob the passengers on Bus 174, hop off and buy drugs, a common occurrence on the streets of Rio but one that happened to go wrong in almost every way on June 12, 2000. Trapped on the bus, Sandro followed his instincts — instincts that were almost always wrong — and held a pistol on half a dozen hostages in an all-day battle of nerves from which SWAT cops say he had no chance of emerging alive.

    Bus 174  
    The case set off a furor in Brazil, partly because of its tragic outcome, partly because of police mishandling, and partly because Sandro's background raised issues about crime, poverty and the burgeoning population of street children.

    Sandro joined the cycle of crime as a young boy after he watched three thugs stab his pregnant mother to death. A well-meaning aunt tried to care for him, but the morose youngster left for the streets, petty crime, drugs and jail.

    As cops and experts discuss the June 12 events, it's clear that Sandro's first thought was to get away from the robbery quickly, undoubtedly to get high. He hadn't planned to seize hostages and he clearly isn't good at it. (SWAT team members point out a dozen times when they could have taken a clear shot at him if they hadn't been ordered not to.) But he quickly grows into his role, puffing himself up as a tough guy and swaggering for the cameras. It's his moment of stardom.

    "I'm going to toss her out the window like in the movie last night!" he screams, with his gun to the head of a female hostage. "This is some serious shit!"

    He instructs one of the hostages to use her lipstick to write on the bus's windshield: "He is going to kill us all." Up to now, this is just an increasingly tense situation where a guy has gone crazy with a gun. Then, amid his stream of bravado, Sandro says something anomalous whose meaning is puzzling to Americans but it would have rung a bell with those listening at the time:

    "You bet, it's a serious crime! The whole country can watch me! Hear what I'm saying, pigs? Hear me? You killed my friends at Candelaria. I know — I was there."

    Hey, wait a minute — Candelaria? Where did that come from? Well, this is the kind of a movie where when a detail doesn't fit, we go find out why. The steps of Candelaria Church were the scene of a police massacre in which seven street kids were killed. (A sociologist researching the street community notes that, out of 69 kids in the group, 37 more were dead by the time she was interviewed.) Suddenly Sandro has figured out what he's doing this for — given the spotlight, he wants to make a political statement, not just be a nut with a gun. As the sociologist notes, for this brief media moment, he has "recovered his visibility."

      Bus 174
    As the film looks deeper into his background, we see what happens to kids like Sandro. "When they first hit the street," says a veteran hustler who knew him when he first arrived, "they don't know how to steal. They don't smoke pot or sniff glue." But Sandro learned. And he inevitably landed behind bars more than once.

    Some of the most stunning parts of this documentary are the visits to prisons where he was held. A former jail guard leads the documentary crew through what can only be called a dungeon, where kids were once packed 40 to a tiny, lightless, rust-encrusted iron cell. Later, we're taken through a prison that's still crammed full of kids. To obscure the youths' faces through the bars, the filmmakers present these interviews as a negative image, but this trick doesn't just protect their identities — it turns the jail tour into a disturbing, searing visual experience. The inmates tell of constant abuse at the hands of the guards. "We'll probably be tortured after you leave," one says with little trace of emotion.

    It's unfashionable in the U.S. to look for social causes of crime, for fear it will seem to excuse the criminal, and indeed Sandro deserves no sympathy for bringing a loaded gun onto a bus and pointing it at the heads of innocent bus passengers. But who could watch his mother die in the street, rot in these prisons, and not come out depraved? How did the political system make this bad situation worse? There is a lot to understand about how the Bus 174 tragedy came to pass, and this film is a masterful look behind the TV image, rooting out the social phenomena and personal trajectories that erupted on this particular day.

    Think of "Bus 174" as the best episode of "Cops" ever made. You can't take your eyes off this movie, and you'll leave with a very heavy heart when it's over.

    MARCH 28, 2003

    Reader comments on Bus 174:

  • Brazilian and carioca talks about Bus 174   from RMax, Oct 14, 2003
  • Anger towards injustice.   from Jessica, Mar 15, 2004
  • i watched it live...   from Peps, Nov 24, 2004
  • Police = Criminals   from Devans, Nov 25, 2004
  • Re: Police = Criminals   from marassa, Jun 7, 2006
  • [no subject]   from T-Bear, Feb 1, 2005
  • Bus 174 End Of the Line   from elleoche, Jan 2, 2008

  • Post a comment on "Bus 174"